In the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally straight-backed, his arms muscular beneath a plain white T-shirt. During performances, dancers can seem as mighty gods, yet often in person they are petite. Not so Ball, whose tall stature is part of his demand for princely roles and partnering. Possessing fine features and piercing eyes, there's a touch of Robert Pattinson about him.
A Seamless Ascent to the Top
Now 31, Ball is experiencing the peak of a career that has progressed smoothly. Raised in Liverpool, he faced little ridicule for his childhood passion in ballet. Joining the esteemed training institution at 11, he moved straight into the company and was promoted annually, reaching the highest position of principal in 2018. He has relished taking on meaty characters, particularly the emotional turmoil found in Kenneth MacMillan's ballets.
"Your breath is short, your legs get heavy, but it’s really a mental fatigue."
His next featured role is as himself, in an "Evening With" event designed to offer behind-the-scenes perspectives into a performer's art. He will guide the crowd through a part, showing his mental workflow while performance. Yet in more comedic ballets, the challenge is significant. "Don Quixote is one of the toughest technically," he states.
The Mental Game and After the Show Emotions
How does he feel following a show, when he has pulled it off? "It's pretty good," he says. "However because I'm trying to extract all the emotion out of it, and get immersed in the role, frequently I do feel embarrassed later. Following an intense role I'm always like: Wow, what must people think?"
In person, Ball is reflective, mild-mannered, and prone to laugh at himself. But a choreographer once remarked on a "sense of suffering in him." Is there? "I'm quite active usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an catalyst for positive change."
Early Motivations and Creative Inspirations
His tenacity originated in youthful setbacks. Not excelling in competitions at school made him "vengeful!" It was fuel to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he remembers.
The next endeavor is creating his own choreography. For Ball, "there's nothing wrong with." "Breaking the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from books, compositions, and painting.
Close-Up Dance and Private Dynamic
He also is interested in staging dance in more intimate spaces. "It was just really exciting," he says of a past experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"
Ball has created duets with his partner, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They aren’t typically paired on stage at their main theater, which is perhaps healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he notes. "But I feel like we’re each other’s biggest supporter."
Regarding Instagram and Physical Perception
On Instagram, followers can see videos from his dance films and photos that showcase a athletic form. Does he mind that the engagement can be somewhat focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be interpreted on various ways.
Ball characterizes his early self as "eager for success." Has it met his expectations? "I am conscious of how life is a separate thing to the aspirations you had as a young person," he reflects. He likely has about ten years of performing ahead. "I suppose in the time to come, I want to be a bit more kind with myself."